Diary entries forCrash
Crash
No exaggeration, this is one of the worst films I’ve ever watched. On my page I made a rule, no 1/2 star rating if I finish the film, I finished this yet I’m making an exception. Absolutely awful in every way. To sum up this film in one short scene, a man owns a shop. The lock breaks on the door to the shop. He calls a locksmith and the locksmith comes. The locksmith attempts to fix the lock but cannot as the door is broke. Locksmith informs shop owner he needs to replace the door not the lock. Shop owner goes absolutely crazy at this poor locksmith so locksmith leaves. That evening the shop gets robbed and trashed. So what do you think shop owner does: A) Help his family clean up and fix the shop B) Realise he should’ve replaced the door C) Go and attempt to shot and murder the lock smith. Yes, it’s option C. Literally the stupidest, most bizarre thing I’ve ever seen. Is America really as bad as these films make it? If so, please don’t ever try and say America is a nice place. A disgusting film.
Crash
This is a movie that your teacher would force you to watch during Black or Hispanic History Month. You thought it was going to be a movie day? Nah! Now you are fighting for your life, trying to stay awake because every time you fall asleep, the teacher nudges you.
Crash
Lush, slow-burning. Exquisite in its way, the powerful kind of horny modern fandoms warn against. >:3 This is a charged, obsessive environment, electric and alive with an anguished reaching for that next next next release. Orchestrations on a world grinding the guardrails of humanity. Who told me this was the more clinical ancestor to Titane?! No, I think that would be the dry medical-grade repetitions of the book-- Cronenberg took the text and made it writhe, unfulfilled, against metal and glass. Having seen Titane just last night, they one-two punching for my life out here. Oh! and fantastic backing from Howard Shore, by the way, by the way, Howard, you mood-setting fiend!
Crash
A submissão opressiva do corpo através dos espaços sofisticados, as avenidas engolidas pelas sombras, os cenários desolados e o sexo como ferramenta de libertação onde as extremidades que distinguem humano e máquina se confundem perante o dispositivo - automóveis, implantes cirúrgicos; se perdem a tal ponto que ultrapassam qualquer limite do fetiche. O filme mais excitante dos anos 90.
Crash
Wow, they're really took "sex in the car" too seriously. I thought only me that had some weird fetish or fantasy but these people is the boss of fetish or fantasy cuz wdym by this movie? This movie also remind me of Titane. Good movie this is art, but sometimes it's boring and sometimes it's thrilling hot.
Crash
Update: this ain't aged well (the movie not so much, but its okay) ...and the thing goes full loop. So, yes... the non-pornographic car collision related film (redundant much redundant) is, not only the worst film ever named Best Picture in the Academy Awards, is also a painfully over-hammered preachy piece of celluloid. There are not characters in this (despite of the all great performances), just are excusses against arguments and viceversa. There are a slightly representation of racial themes in places like L.A. , just in accurate times, not as half-assed, ghostly and over-the-top dialog that represents this. There are a real message, and old one as time... JUST HAGGIS KEEPS SAYING THAT, LITERALLY, LIKE A MILLION TI-- NO, SHUT UP! I GET IT! RACISM IS BAD! SHUT THE F*CK UP, YOU HACK. There are not a real sense of redemption and show the other side of the coin, the simple effect of impact OR EVEN a realistic portrait of the world as it is... all of this is reemplazed with manipulation. Yes, you know... BECAUSE SAYING BAD WORDS, SHOUT IT OUT, AND HURTING PEOPLE regardless YOU'RE WORST AS SIN means OSCAR WIN. Because of this, films like Bright exists. But also, films like Three Billboards outside Ebbing, Missouri shines, because it have more than commentaries, it have CHARACTERS, EMOTIONS, and it have respect for it's audience, the adult one. And you know why also? That film is harsh and direct. Crash is that, but backwards; it tries to be sutile and hard to watch, but is too simplified, sugarcoated and good-looking just for the sake of it, being so cheating at the end. This film haves no respect for anybody. If it have it, looks and sounds unnatural and fake, just like its script, full of empty feeling, de-complexed enties, and no sublety. It's dull, cheap, dishonest, and most of all, morality dead, just like an ugly, ugly car crash...and the thing goes full loop. Maybe i can forgive Haggis for this, but i can't forget how this movie fail on every level to be, at least, an respectable film. So... if you think Black Panther is a sh*tty movie because of the unusual racial inclusion and things like that, etc... think about it twice. Really, i mean it, there are not that bad, if take examples like Crash.
Crash
To be the movie that won the Oscar for best movie blatantly, I think I see their reasons. I meannn... look at that ode to the philosophy to the car crashes, flesh and sh*t, for God's sak.... oh, wrong movie. Not NC-17ly enough/10.
Crash
por mais bizarro que seja é muito bem filmado e pqp que tesão viu
Crash
What this guy (https://boxd.it/1gvYvH) said.
Crash
If I was rating this solely based on the fact that young James Spader stars in it, I'd give it 5 stars
