Diary entries forFilm Socialisme

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Film Socialisme

๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ ๐˜ด๐˜ฑ๐˜ฆ๐˜ข๐˜ฌ ๐˜ต๐˜ฐ ๐˜ฎ๐˜บ๐˜ด๐˜ฆ๐˜ญ๐˜ง ๐˜ ๐˜ด๐˜ฑ๐˜ฆ๐˜ข๐˜ฌ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ฅ๐˜ด ๐˜ฐ๐˜ง ๐˜ด๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฐ๐˜ฏ๐˜ฆ ๐˜ฆ๐˜ญ๐˜ด๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ ๐˜ด๐˜ฑ๐˜ฆ๐˜ข๐˜ฌ ๐˜ต๐˜ฐ ๐˜ฎ๐˜บ๐˜ด๐˜ฆ๐˜ญ๐˜ง. ๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ฐ๐˜ฏ๐˜ฆ ๐˜ฉ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ฐ๐˜ฏ๐˜ฆโ€™๐˜ด ๐˜ฐ๐˜ธ๐˜ฏ ๐˜ท๐˜ฐ๐˜ช๐˜ค๐˜ฆ, ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ช๐˜ด ๐˜ช๐˜ต ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ? ๐˜›๐˜ฉ๐˜ฆ ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ช๐˜ด ๐˜ฐ๐˜ฏ๐˜ฆ๐˜ด๐˜ฆ๐˜ญ๐˜ง. ๐˜–๐˜ฏ๐˜ฆ๐˜ด๐˜ฆ๐˜ญ๐˜ง ๐˜ช๐˜ด ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ. "๐˜”๐˜บ ๐˜ธ๐˜ฐ๐˜ณ๐˜ฅ๐˜ด ๐˜ฆ๐˜ฏ๐˜ต๐˜ฆ๐˜ณ ๐˜›๐˜ฉ๐˜ฆ๐˜บ ๐˜ฎ๐˜ข๐˜ฌ๐˜ฆ ๐˜ข ๐˜ฎ๐˜ฆ๐˜ด๐˜ด. ๐˜“๐˜ข๐˜ฏ๐˜จ๐˜ถ๐˜ข๐˜จ๐˜ฆ ๐˜ฆ๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ด ๐˜›๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ฐ๐˜ถ๐˜ต๐˜ฉ ๐˜ด๐˜ฉ๐˜ถ๐˜ต๐˜ด ๐˜ถ๐˜ฑ. ๐˜๐˜ต ๐˜ฉ๐˜ข๐˜ด ๐˜ต๐˜ฐ ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ ๐˜ข ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ญ๐˜ช๐˜ฏ๐˜ฆ ๐˜ฏ๐˜ฐ๐˜ธ ๐˜๐˜ตโ€™๐˜ด ๐˜ฅ๐˜ฐ๐˜ฏ๐˜ฆ. ๐˜โ€™๐˜ท๐˜ฆ ๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ฎ๐˜ข๐˜จ๐˜ฆ. ๐˜›๐˜ฉ๐˜ฆ ๐˜ฅ๐˜ณ๐˜ฆ๐˜ข๐˜ฎ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ต๐˜ข๐˜ต๐˜ฆ ๐˜ช๐˜ด ๐˜ต๐˜ฐ ๐˜ฃ๐˜ฆ ๐˜ฐ๐˜ฏ๐˜ฆ. ๐˜›๐˜ฉ๐˜ฆ ๐˜ฅ๐˜ณ๐˜ฆ๐˜ข๐˜ฎ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ฏ๐˜ฅ๐˜ช๐˜ท๐˜ช๐˜ฅ๐˜ถ๐˜ข๐˜ญ ๐˜ช๐˜ด ๐˜ต๐˜ฐ ๐˜ฃ๐˜ฆ ๐˜ต๐˜ธ๐˜ฐ. ๐˜ ๐˜ฐ๐˜ถ ๐˜ด๐˜ฆ๐˜ฆ, ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ท๐˜ฆ๐˜ณ๐˜ฃ '๐˜ต๐˜ฐ ๐˜ฃ๐˜ฆ', ๐˜ต๐˜ฉ๐˜ฆ ๐˜ญ๐˜ข๐˜ค๐˜ฌ ๐˜ฐ๐˜ง ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ ๐˜ฃ๐˜ฆ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ๐˜ด ๐˜ง๐˜ญ๐˜ข๐˜จ๐˜ณ๐˜ข๐˜ฏ๐˜ต." I donโ€™t know if weโ€™re talking anymore. Or the way we are talking bores the shit out of me. Itโ€™s the way you talk about art and less and less I want to talk about art with you. I donโ€™t care whether or not you like one thing or another. I want to care about how itโ€™s shifting in scene or if a particular piece has moved you. Your lack of vocabulary in how to express yourself equates to how I feel about most people in LA. Vapid. Without context. Microscopic soundbites that flutter into the chaos of noise of the world. โ€œ๐˜ˆ๐˜ญ๐˜ญ ๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ฐ๐˜ฏ ๐˜ข ๐˜ฑ๐˜ญ๐˜ข๐˜ช๐˜ฏ ๐˜ด๐˜ถ๐˜ณ๐˜ง๐˜ข๐˜ค๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ช๐˜ด ๐˜ฏ๐˜ฐ๐˜ต ๐˜ฅ๐˜ณ๐˜ช๐˜ท๐˜ฆ๐˜ฏ ๐˜ฃ๐˜บ ๐˜ฑ๐˜ฉ๐˜บ๐˜ด๐˜ช๐˜ค๐˜ข๐˜ญ ๐˜ฏ๐˜ฆ๐˜ค๐˜ฆ๐˜ด๐˜ด๐˜ช๐˜ต๐˜บ ๐˜ช๐˜ด ๐˜ข ๐˜ด๐˜ฑ๐˜ข๐˜ต๐˜ช๐˜ข๐˜ญ ๐˜ข๐˜ง๐˜ง๐˜ช๐˜ณ๐˜ฎ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ฐ๐˜ฏ๐˜ฆ๐˜ด๐˜ฆ๐˜ญ๐˜ง ๐˜ฃ๐˜ฆ ๐˜ช๐˜ต ๐˜ฃ๐˜ถ๐˜ช๐˜ญ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ฏ ๐˜Œ๐˜ฎ๐˜ฑ๐˜ช๐˜ณ๐˜ฆ, ๐˜ฐ๐˜ณ ๐˜ต๐˜ฐ๐˜ถ๐˜ณ๐˜ช๐˜ด๐˜ฎ.โ€ I remember when this first premiered at Cannes, making the rounds and navigating around dislike and shrugs around its palatability. But Godard has always been known to break cinema, taking it apart, fixating on the mechanics, and Frankensteining it in a way to to speak to aliments of the world at large. There was less of a review and more of a comment on here about how inaccessible the film was based on history and this is by no fault of Godard but by the reviewerโ€™s own ignorance. In a time where you can literally look at the context of the world at any given point in history we choose to ignore the work of understanding and remain careless. And itโ€™s carelessness in your vocabulary. In all the ways you may move through the world that you surrender yourself to the stature of the way we communicate. Rooney is right and itโ€™s awful how right she is in accenting our miscommunications with each other. tl:dr โ€” Iโ€™m tired of the way we talk to each other and itโ€™s no real use anymore. I often think of the work that I do put out and its totality of all that I mean. In the end, there is so little left to say outside of these musings. Here and there. There is so little to convey to you that I am here. A chunk of text, read or unread, all to dust and ash and time. Rightfully so, itโ€™s done here in the archival eye of text and image, an eclectic ensemble of cameras, in the offbeat cameo of Patti Smith. A lot is said here, exactly as I do, exactly as I am that orchestrates into the doped out sounds of late Chet Baker. Itโ€™s all noise in the end. And yet you choose to base the noise on if you like it or dislike it. How pathetic. "๐˜ž๐˜ฆโ€™๐˜ณ๐˜ฆ ๐˜ช๐˜ฏ ๐˜ข ๐˜ฑ๐˜ฐ๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ต๐˜ฐ ๐˜ด๐˜ข๐˜บ โ€œ๐˜ž๐˜ฆโ€ ๐˜ฃ๐˜ฆ๐˜ง๐˜ฐ๐˜ณ๐˜ฆ ๐˜ธ๐˜ฆ ๐˜ด๐˜ข๐˜บ '๐˜'." Iโ€™m looking for the people that care. Care too much. Why are there so few of us?

10d ago