Diary entries forNashville

5 entries
Codeliusthe2nd's profile
Codeliusthe2nd

Nashville

Nashvilleis THE most unapologetically American film that I have ever witnessed. It takes the jumbled culture of the country and throws it together into an unfortgettable masterpiece. Nashvilleis a staple in American cinema, and will forever be my 4th of July film. Iโ€™m simply stunned.

4d ago
Codeliusthe2nd's profile
Codeliusthe2nd

Nashville

Happy 4th yโ€™all!

4d ago
BelugaJames

Nashville

Feels just as relevant nearly 50 years on.

7d ago
nathansnook's profile
nathansnook

Nashville

๐˜“๐˜ฆ๐˜ต ๐˜ฎ๐˜ฆ ๐˜ฑ๐˜ฐ๐˜ช๐˜ฏ๐˜ต ๐˜ฐ๐˜ถ๐˜ต ๐˜ต๐˜ธ๐˜ฐ ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ๐˜ด: 1. ๐˜ˆ๐˜ญ๐˜ญ ๐˜ฐ๐˜ง ๐˜ถ๐˜ด ๐˜ข๐˜ณ๐˜ฆ ๐˜ฅ๐˜ฆ๐˜ฆ๐˜ฑ๐˜ญ๐˜บ ๐˜ช๐˜ฏ๐˜ท๐˜ฐ๐˜ญ๐˜ท๐˜ฆ๐˜ฅ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฑ๐˜ฐ๐˜ญ๐˜ช๐˜ต๐˜ช๐˜ค๐˜ด, ๐˜ธ๐˜ฉ๐˜ฆ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ธ๐˜ฆ ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ ๐˜ช๐˜ต ๐˜ฐ๐˜ณ ๐˜ฏ๐˜ฐ๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ธ๐˜ฆ ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ช๐˜ต ๐˜ฐ๐˜ณ ๐˜ฏ๐˜ฐ๐˜ต. 2. ๐˜ž๐˜ฆ ๐˜ค๐˜ข๐˜ฏ ๐˜ฅ๐˜ฐ ๐˜ด๐˜ฐ๐˜ฎ๐˜ฆ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ช๐˜ต. Holy shit, has Cusk seen this? Is this what Altman films are like? Itโ€™s like a Tati film but in dialogue form. Recently, Heti is writing towards a novel without characters. There doesnโ€™t need to be character. Itโ€™s all about what the story says. We arenโ€™t listening anymore, or rather weโ€™re listening to only to hear how we respond to things. We are only listening to how we respond to things. "๐˜ˆ ๐˜ญ๐˜ข๐˜ธ๐˜บ๐˜ฆ๐˜ณ ๐˜ช๐˜ด ๐˜ต๐˜ณ๐˜ข๐˜ช๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ธ๐˜ฐ ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ธ๐˜ฐ ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ๐˜ด ๐˜ฐ๐˜ฏ๐˜ญ๐˜บ: 1. ๐˜›๐˜ฐ ๐˜ค๐˜ญ๐˜ข๐˜ณ๐˜ช๐˜ง๐˜บ 2. ๐˜ˆ๐˜ฏ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ค๐˜ฐ๐˜ฏ๐˜ง๐˜ถ๐˜ด๐˜ฆ ๐˜๐˜ฆ ๐˜ฅ๐˜ฐ๐˜ฆ๐˜ด ๐˜ธ๐˜ฉ๐˜ฐ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜ช๐˜ด ๐˜ต๐˜ฐ ๐˜ฉ๐˜ช๐˜ด ๐˜ค๐˜ญ๐˜ช๐˜ฆ๐˜ฏ๐˜ตโ€™๐˜ด ๐˜ข๐˜ฅ๐˜ท๐˜ข๐˜ฏ๐˜ต๐˜ข๐˜จ๐˜ฆ.โ€ This is my introduction to Altman's work which now holds a great interest to me when we think of life as a theater itself, the hustle and bustle of the great circus parade. How we march around, say our thoughts, act on them, kiss, love, hate, spew out nonsense, spew out the philosophical. In all its beauty, it's America at its core. In essence, Altman created the very theater of America, in all its warfare and fanfare. * ๐˜Œ๐˜น๐˜ฑ๐˜ช๐˜ณ๐˜ฆ๐˜ฅ ๐˜‹๐˜ช๐˜ฆ๐˜ฅ ๐˜‹๐˜ฆ๐˜ด๐˜ช๐˜ณ๐˜ฆ๐˜ฅ: understanding. Sense. Making it. Arranging. Rearranging. โ€” Thereโ€™s a scene in which Nashville national treasure Barbara Jean, during her performance, interrupts her setlist to talk about her life. Itโ€™s this beautiful breakage of narrative to allow character to be character, and itโ€™s then you realize it isnโ€™t reality you are watching or really the imitation of it, but how fiction emerges from real life, to crave a need, an attention, to be noticed to you. It wants you as story. And how does that Joan Didion quote go again about wanting to tell ourselves stories in order to survive? Fiction survives with us. It loves as much as we do. Tells all as much as we do. What I think Iโ€™m trying to get at is that the heart wants what it wants and fiction has a beating, bleeding heart too. Even in politics, the show must go on.

10d ago
Display Name's profile
Display Name

Nashville

boring

11d ago