Diary entries forNashville
Nashville
Nashvilleis THE most unapologetically American film that I have ever witnessed. It takes the jumbled culture of the country and throws it together into an unfortgettable masterpiece. Nashvilleis a staple in American cinema, and will forever be my 4th of July film. Iโm simply stunned.
Nashville
Happy 4th yโall!
Nashville
Feels just as relevant nearly 50 years on.
Nashville
๐๐ฆ๐ต ๐ฎ๐ฆ ๐ฑ๐ฐ๐ช๐ฏ๐ต ๐ฐ๐ถ๐ต ๐ต๐ธ๐ฐ ๐ต๐ฉ๐ช๐ฏ๐จ๐ด: 1. ๐๐ญ๐ญ ๐ฐ๐ง ๐ถ๐ด ๐ข๐ณ๐ฆ ๐ฅ๐ฆ๐ฆ๐ฑ๐ญ๐บ ๐ช๐ฏ๐ท๐ฐ๐ญ๐ท๐ฆ๐ฅ ๐ธ๐ช๐ต๐ฉ ๐ฑ๐ฐ๐ญ๐ช๐ต๐ช๐ค๐ด, ๐ธ๐ฉ๐ฆ๐ต๐ฉ๐ฆ๐ณ ๐ธ๐ฆ ๐ฌ๐ฏ๐ฐ๐ธ ๐ช๐ต ๐ฐ๐ณ ๐ฏ๐ฐ๐ต ๐ข๐ฏ๐ฅ ๐ธ๐ฉ๐ฆ๐ต๐ฉ๐ฆ๐ณ ๐ธ๐ฆ ๐ญ๐ช๐ฌ๐ฆ ๐ช๐ต ๐ฐ๐ณ ๐ฏ๐ฐ๐ต. 2. ๐๐ฆ ๐ค๐ข๐ฏ ๐ฅ๐ฐ ๐ด๐ฐ๐ฎ๐ฆ๐ต๐ฉ๐ช๐ฏ๐จ ๐ข๐ฃ๐ฐ๐ถ๐ต ๐ช๐ต. Holy shit, has Cusk seen this? Is this what Altman films are like? Itโs like a Tati film but in dialogue form. Recently, Heti is writing towards a novel without characters. There doesnโt need to be character. Itโs all about what the story says. We arenโt listening anymore, or rather weโre listening to only to hear how we respond to things. We are only listening to how we respond to things. "๐ ๐ญ๐ข๐ธ๐บ๐ฆ๐ณ ๐ช๐ด ๐ต๐ณ๐ข๐ช๐ฏ๐ฆ๐ฅ ๐ง๐ฐ๐ณ ๐ต๐ธ๐ฐ ๐ต๐ฉ๐ช๐ฏ๐จ๐ด ๐ข๐ฏ๐ฅ ๐ต๐ธ๐ฐ ๐ต๐ฉ๐ช๐ฏ๐จ๐ด ๐ฐ๐ฏ๐ญ๐บ: 1. ๐๐ฐ ๐ค๐ญ๐ข๐ณ๐ช๐ง๐บ 2. ๐๐ฏ๐ฅ ๐ต๐ฐ ๐ค๐ฐ๐ฏ๐ง๐ถ๐ด๐ฆ ๐๐ฆ ๐ฅ๐ฐ๐ฆ๐ด ๐ธ๐ฉ๐ฐ๐ฆ๐ท๐ฆ๐ณ ๐ช๐ด ๐ต๐ฐ ๐ฉ๐ช๐ด ๐ค๐ญ๐ช๐ฆ๐ฏ๐ตโ๐ด ๐ข๐ฅ๐ท๐ข๐ฏ๐ต๐ข๐จ๐ฆ.โ This is my introduction to Altman's work which now holds a great interest to me when we think of life as a theater itself, the hustle and bustle of the great circus parade. How we march around, say our thoughts, act on them, kiss, love, hate, spew out nonsense, spew out the philosophical. In all its beauty, it's America at its core. In essence, Altman created the very theater of America, in all its warfare and fanfare. * ๐๐น๐ฑ๐ช๐ณ๐ฆ๐ฅ ๐๐ช๐ฆ๐ฅ ๐๐ฆ๐ด๐ช๐ณ๐ฆ๐ฅ: understanding. Sense. Making it. Arranging. Rearranging. โ Thereโs a scene in which Nashville national treasure Barbara Jean, during her performance, interrupts her setlist to talk about her life. Itโs this beautiful breakage of narrative to allow character to be character, and itโs then you realize it isnโt reality you are watching or really the imitation of it, but how fiction emerges from real life, to crave a need, an attention, to be noticed to you. It wants you as story. And how does that Joan Didion quote go again about wanting to tell ourselves stories in order to survive? Fiction survives with us. It loves as much as we do. Tells all as much as we do. What I think Iโm trying to get at is that the heart wants what it wants and fiction has a beating, bleeding heart too. Even in politics, the show must go on.
Nashville
boring