Diary entries forThe Stranger
The Stranger
Foreboding and bleak, almost true to the passages however we merely feel the personal insights briefly hence we are left questioning everything (perhaps that's the intention behind it). Gorgeous back and white cinematic lense that helps to create the atmosphere, with some choice that were modernized compare to the book on colonialism therefore the lack of purposeful racism and colonialism make it an almost perfect adaptation
The Stranger
La mia recensionequi (https://youtu.be/uPJU8DkWbYE?si=45a1HGrhZlsmd8Bb)
The Stranger
ยซ๐๐ฆ ๐ค๐ฆ๐ต๐ต๐ฆ ๐ท๐ช๐ฆ, ๐ช๐ค๐ช, ๐ค๐ฐ๐ฎ๐ฎ๐ฆ ๐ฅ๐ฆ ๐ค๐ฆ๐ต๐ต๐ฆ ๐ฎ๐ฐ๐ณ๐ต ๐ฒ๐ถ๐ช ๐ฎโ๐ข๐ต๐ต๐ฆ๐ฏ๐ฅ. ๐๐ญ๐ฐ๐ณ๐ด ๐ฐ๐ถ๐ช, ๐ซ๐ฆ ๐ฏโ๐ข๐ช ๐ฒ๐ถ๐ฆ ๐ค๐ฆ๐ญ๐ข. ๐๐ข๐ช๐ด ๐ซ๐ฆ ๐ต๐ช๐ฆ๐ฏ๐ด ๐ค๐ฆ๐ต๐ต๐ฆ ๐ทรฉ๐ณ๐ช๐ตรฉ ๐ข๐ถ๐ต๐ข๐ฏ๐ต ๐ฒ๐ถโ๐ฆ๐ญ๐ญ๐ฆ ๐ฎ๐ฆ ๐ต๐ช๐ฆ๐ฏ๐ต. ๐โ๐ข๐ช ๐ง๐ข๐ช๐ต ๐ค๐ฆ๐ค๐ช, ๐ซ๐ฆ ๐ฏโ๐ข๐ช ๐ฑ๐ข๐ด ๐ง๐ข๐ช๐ต ๐ค๐ฆ๐ญ๐ข, ๐ซโ๐ข๐ช ๐ทรฉ๐ค๐ถ ๐ฅโ๐ถ๐ฏ๐ฆ ๐ง๐ขรง๐ฐ๐ฏ, ๐ซโ๐ข๐ถ๐ณ๐ข๐ช๐ด ๐ฑ๐ถ ๐ท๐ช๐ท๐ณ๐ฆ ๐ฅ'๐ถ๐ฏ๐ฆ ๐ข๐ถ๐ต๐ณ๐ฆ. ๐๐ต ๐ข๐ฑ๐ณ๐ฆ๐ด? ๐๐ช๐ฆ๐ฏ. ๐๐ช๐ฆ๐ฏ ๐ฏ'๐ข ๐ฅ'๐ช๐ฎ๐ฑ๐ฐ๐ณ๐ต๐ข๐ฏ๐ค๐ฆ. ๐๐ต ๐ซ๐ฆ ๐ด๐ข๐ช๐ด ๐ฃ๐ช๐ฆ๐ฏ ๐ฑ๐ฐ๐ถ๐ณ๐ฒ๐ถ๐ฐ๐ชโฆ๐๐ฐ๐ถ๐ต๐ฆ ๐ค๐ฆ๐ต๐ต๐ฆ ๐ท๐ช๐ฆ ๐ฆ๐ด๐ต ๐ข๐ฃ๐ด๐ถ๐ณ๐ฅ๐ฆ!ยป You can count on Ozon for a perfect picture as his framing and blocking is always incredible. You can also count on Ozon for being very French enough to add faith to an adaptation. Itโs a tidy script where the first half is pitch-perfect, but the last half where the courtroom scenes take place become dull and ineffective. Voisin is the perfect stand-in for Camus, reminiscent of boywonder Starkey in Lucaโs Queer (https://letterboxd.com/bulgogiboi/film/queer-2024/). Very nice to look at. Charmed even further in the black and white presentation. Unfortunately, weโre a few years too late in adapting the Camus novel. I feel like it only worked in the melodrama of the sixties, to which brought me to my viewing of Lo Straniero (https://letterboxd.com/bulgogiboi/film/the-stranger-1967/), which is also quite faithful, but suffers from the same dullness found in Ozonโs adaptation. Where swish-pans and zoom ins and outs give us trying understanding and disbelief in the Visconti picture, Ozon approaches it all from existentialismโs complacent point of view. *I would think Ozon would be interested in exploring the homoerotic tensions through subtext, but his commitment to faithful adaptation wins over. Perhaps maybe in the future we will see an adaptation where queerism can be discovered. Yes yes, I stand by making everything gay, at least, every once in a while.