Diary entries forPeter Hujar's Day
Peter Hujar's Day
name dropping famous people as if they were my friends in real life, this film does make you feel that you have intimate friendships with these people, which reminds me of how back then it was very open &. possible to have 'parasocial" friendship with them by simply being in one city, or one place.
Peter Hujar's Day
โโ๐๐ข๐ถ๐ด๐ฆ ๐ ๐ณ๐ฆ๐ข๐ญ๐ญ๐บ ๐ฃ๐ฆ๐จ๐ข๐ฏ ๐ต๐ฐ ๐ต๐ฉ๐ช๐ฏ๐ฌ, ๐๐ฆ๐ญ๐ญ, ๐ ๐ฅ๐ช๐ฅ๐ฏโ๐ต ๐ฅ๐ฐ ๐ข๐ฏ๐บ๐ต๐ฉ๐ช๐ฏ๐จ.โ Where the original text (https://www.goodreads.com/review/show/8111426977) really gives way to Hujarโs voice, the voice of the project hums a bit better and more effectively by way of film versus original intentions set out by Rosenkrantz. Mediating from gay experimentational media from the 80s, Sachs book-ends Hujarโs gossip with choppy groans of Mozartโs Requiem to relay a day. But in a recounting, much more comes out. Opinions. Gestes. Little thoughts. Dreams. Fantasies. If we move through chronological order, why is it that our recounting of it is interrupted by the peripheries? By which I mean the past and the future? The in-between and the non-existent? Plain. Simple. Retreats to the beauty of oral storytelling, combining film conventions to make it all pretty. We all wish for our memories to be shot on film, to contain grains of history, the sands of time, to outlast not just our stories, but us. Like laying in bed on top of the covers with outside clothes on, stinking of the whole day, remembering everything. โ๐๐ฉ๐ข๐ตโ๐ด ๐ธ๐ฉ๐บ ๐โ๐ฎ ๐ฅ๐ฐ๐ช๐ฏ๐จ ๐ต๐ฉ๐ช๐ด, ๐ข๐ค๐ต๐ถ๐ข๐ญ๐ญ๐บ. ๐๐ฐ ๐ง๐ช๐ฏ๐ฅ ๐ฐ๐ถ๐ต ๐ฉ๐ฐ๐ธ ๐ฑ๐ฆ๐ฐ๐ฑ๐ญ๐ฆ ๐ง๐ช๐ญ๐ญ ๐ถ๐ฑ ๐ต๐ฉ๐ฆ๐ช๐ณ ๐ฅ๐ข๐บ๐ด, ๐ฃ๐ฆ๐ค๐ข๐ถ๐ด๐ฆ ๐ ๐ฎ๐บ๐ด๐ฆ๐ญ๐ง ๐ฅ๐ฐ๐ฏโ๐ต ๐ง๐ฆ๐ฆ๐ญ ๐ญ๐ช๐ฌ๐ฆ ๐ ๐ฅ๐ฐ๐ฏโ๐ต ๐ฅ๐ฐ ๐ฎ๐ถ๐ค๐ฉ ๐ฐ๐ง ๐ข๐ฏ๐บ๐ต๐ฉ๐ช๐ฏ๐จ ๐ข๐ญ๐ญ ๐ฅ๐ข๐บ.โ