Diary entries forParthenope
Parthenope
If I had a beautiful face, body and brain like Parthenope, of course I would take advantage of it. Watching this movie just to see the beauty of Parthenope and the Italian city, although this movie confused me because it was too artsy and poetic in its plot and script.
Parthenope
entendi nada desse filme
Parthenope
41/100 Check out my 2024 ranked - https://boxd.it/shaTi Not for me this. Only reason I wanted to watch this was because of how mesmerising Celeste Porta looked in the trailer and how beautifully shot the film was. While I did get that within the first 10 minutes, something else had to keep me invested for the remaining two hours and guess what, nothing did. Some of the worst two hours I’ve spent watching a movie, a complete borefest. I like indie films with a structure but aimless or abstract as the “artsy” people like to call it is what I cannot be interested in. It’s all about Parthenope trying to overcome grief and trying paths to distract herself when in reality, she’s got no use of her beauty, she’s intelligent and that’s what her deal is. She accepts that and gets some purpose back. The one man who doesn’t perverse her is the one she found solace with and respects most. You certainly get things from the film. I mean you watch something for 2 hours with concentration, you are gonna pick up something but what I did pick up was not worth my time. Gorgeous cinematography, most of it being useless and a pleasant score make it bearable but the lack of purpose will always frustrate me. Also she fucked the priest (pope-to-be mind you), she really is into anyone, she’s a whore who just so happens to be purposefully mysterious and intelligent in her subject matter. The helicopter guy said it best, she acts smarter than she actually is.
Parthenope
È il film-controtipo di È stata la mano di Dio, con il quale costituisce un dittico su Napoli. Se però nel film del 2021 la dimensione autobiografica dava corpo e ossatura alla narrazione, qui il ricorso a quella simbolica finisce per affogarla. Restano però (almeno) due grandi sequenze in quello che probabilmente è il film meno riuscito di Sorrentino (insieme a This is must be the place).
Parthenope
Tre scudetti sul campo, due film per le strade di Napoli, mi aspetto un terzo per completare la trilogia. Billy Wilder avrebbe saputo spiegare benissimo cos’è l’antropologia!
Parthenope
Paolo Sorrentino signe un poème visuel, entre contemplation méditerranéenne et chronique féminine puissante. Parthenope, beauté napolitaine magnifiée, devient un miroir de la fascination masculine. Derrière la forme léchée, c’est une véritable critique du regard patriarcal sur le corps féminin. La dernière partie, avec le prêtre en slip qui lui fait des avances, est parfaite. Un grand film italien, sensuel et politique.
Parthenope
gdyby ten film zdjęciem to mogłabym podziwiać je godzinami jednak jako film totalnie zawodzi
